As both an Environment Artist and Technical Artist on Dead Rails, I was responsible for implementing props, modular assets, and environment pieces into the game world while ensuring performance was optimized for runtime. My role extended beyond asset creation, involving the development of the project’s mood and distinct visual identity.
A key part of my work involved refining the game’s look and feel through post-processing and custom shaders. I developed systems that enhanced the stylized aesthetic, including a Post Procesing Shader, which segments lighting values to create a cel-shaded effect that reinforces the game’s unique tone. In addition, I implemented a Color Grading Curve that functions like dynamic filters, allowing me to adjust the atmosphere of scenes by fine-tuning the balance of light and color.
Post Process Material
Light Bands Curve
Color Grading Curve
I also contributed by creating various in-game animations, such as the supply crate opening sequence. These animations were made with the focus on being very distinct so they serve as key visual feedback for the player
To streamline asset integration, I created a Master Material that served as a flexible foundation for props and environment assets. Built on a PBR workflow from Substance Painter, the material was designed for high customizability and compatibility with gameplay mechanics.
Beyond shaders and optimization, I created modular assets and props that defined much of the game’s environment. These assets were designed to be reused and recombined, making the world scalable while preserving artistic cohesion. By establishing a modular workflow, I supported both the efficiency of the art pipeline and the consistency of the game’s overall visual identity.
